#Sublime singer crack

We stayed over at some college girls' house and smoked crack for breakfast. I'm like, “What are we looking for?” And some guy yells out, “A finger! A fuckin' finger!” And I'm like, “What do you mean, a finger?!” So we're all there looking around for this guy's finger.Įric Wilson: In Chico, there were a lot of drugs. So I jumped off the stage, right in the middle of this crowd, and there was nothing there, but everyone was looking on the ground. Rick Bonde: At one point I saw an opening in the crowd and I thought someone had gotten hurt and gone down. All these people with tattoos and piercings, the freakshow thing. The fence got torn down, security was overwhelmed.Įric Wilson: It was in a park, with a traveling circus. That was one of the most insane, crazy rock 'n' roll shows I've ever seen in my life. Rick Bonde: I was with them the night before up in Chico. Most of our crowd for the Sublime show was under 18, and definitely under 21. My punk crowd was just starting to finally turn 21. Tom Gaffey (Manager, Phoenix Theater): We were just starting to see more ska and less punk. But they'd really started to blow up right around then, with 'Date Rape' on KROQ. Jason Boggs (Filibuster): They'd come to Sacramento and open up for us and play for 30-40 people at little dive bars around town, and they'd crash on our floors. I went down to the club that night, and they were like, “Nah, they're not coming.” I was worried there had been an O.D.

They were supposed to play there the week before, and I was gonna jump in the van with 'em and head up the coast. Lil' Mike: I was gonna meet 'em at the Glass House in Pomona. They were going to go to Europe, Brad had a brand-new wife, a new baby. From my memory, he'd been clean for almost a year. Rick Bonde (Booking agent, the Tahoe Agency): In the time I worked with them, they made it to every gig, we really tightened up the scene, Brad had gotten clean. We started packing in 2,000 people just from word of mouth, before we even had any deal with a record company. For two or three years before that, we had gotten a really strong cult following, just from playing up and down the coast. Stand by Your VanĮric Wilson (Bassist, Sublime): We had just finished the album. So to mark the anniversary of Sublime's last show in Petaluma, I've decided to pull together those memories, stories, and loose threads-from regular showgoers, people behind the scenes, and performers on stage. (He once sicced his dog on a skateboarder and expected me to back him up in a beatdown, an incident I wrote about here, 10 years ago.) But hearing everyone's memories since, I've always wondered how the rest of their final show went down. My band played the Warped Tour with Sublime the year before, and I'd gotten my fill of them already, to say nothing of Nowell's impulsive behavior. I was there that night, but I left after four songs. The rest of Sublime's millions of fans always want to know: what was it like? But only 900 or so people witnessed Nowell's final performance. An audio bootleg exists legal issues over still-unreleased video footage have continued for years and snippets of people's memories can still be overheard at parties in and around Petaluma.

Sublime would go on to sell over 17 million records, and for obvious reasons, that final show in Petaluma has attained mythic status. But no one knew at the time, either, that singer Bradley Nowell would be found dead of a heroin overdose the next morning at a motel in San Francisco. 31.On May 24, 1996, Sublime played their last show at the Phoenix Theater in Petaluma. On the ensemble's new LP, '7,' silky soul, Caribbean rhythms, funk, pop and Central African tones and timbres mingle with the easy familiarity of first cousins rather than the formal stiffness of foreign exchange students. But few artists link African music, reggae and R&B as seamlessly as Marie Daulne and Zap Mama. Zap Mama, Monday at Orchestra Hall: Though world beat-western pop hybrids were once unusual, they're now as commonplace as burritos. Though Chesnutt's high, ragged drawl and simple tunesmithing sound almost artless next to most contemporary rock, his best work lingers and haunts as powerfully as rarefied, elegant chamber music. Vic Chesnutt, Friday at the Park West: Pop music acts, like flim-flam artists, sometimes rely on novelty to mesmerize and ensnare listeners, but Georgia singer-songwriter Vic Chesnutt commands attention with an old-fashioned blend of vivid imagery, appealingly folky hooks and searing emotion.

Sublime singer